"A Kiss Goodbye – That Was All That Was Possible"

I was 15 years old when my father died of AIDS in 1989. He was 36. We had only learned about his illness a few months earlier. At that time, AIDS was already being talked about, especially because of the deaths of celebrities like Rock Hudson. But the issue still felt very abstract, particularly in Switzerland, and the dramatic actions of Act Up-Paris, which was founded that same year, had yet to begin.

Testimony recorded by Laure Dasinieres

I didn’t see my father often. The rare moments we spent together were both tender and awkward. I think he didn’t really know how to interact with children, having grown up himself in a Swiss boarding school, far away from his family, where he was placed at the age of three after arriving from Egypt. When I was twelve, he took me into town to buy a Walkman. We were both a bit shy. I believe he was the one who taught my brother and me how to play chess. He loved literature, and I’ve kept just a few of his books, the ones filled with his handwritten notes.

I only saw my father sick once. He was already very weak: he used a wheelchair and had memory problems. At the time, they said it was a brain tumor. The day before he died, my brother and I were called to see him. They told us: “Your father has AIDS. His drug use destroyed his health.”

I rushed to the hospital to see him. He was already unconscious, his face emaciated — a look that was then typical of people with AIDS. I couldn’t speak to him. I could only give him a kiss. A few hours later, he passed away.

After his death, there were more deaths in the family. Always from AIDS. It was a tragedy that seemed to have no end. I carried that burden with me. Later, when I became an adult, I left the city where I had grown up. As if to break the silence and unravel all the unanswered questions surrounding my story, I threw myself, almost obsessively, into the history of the epidemic. I wanted to understand everything. When did it begin? Where? How? How did it spread?

I studied its history — from the first “official” cases in the 1980s to the development of combination therapies. I read about activism, the most affected communities, the early treatments, the false hopes, and the political battles. Then I looked for the earliest mentions or depictions of AIDS in film, theatre, and literature... I read everything, watched everything. I studied how pop culture approached the subject — how it told the story of the disease, or how it chose to remain silent. I became an expert in the field. “I became an expert in something I couldn’t understand when it happened.”

All of this helped me — it allowed me to find words for what I had never been able to say, and to make sense of what I hadn’t understood. Most importantly, I realized that the questions that tormented me in 1989 — Where does this disease come from? Why is there no treatment? What is going on? — weren’t just mine. They were the questions of the whole world.

The silence I grew up in wasn’t just the silence of my family or the shame imposed by society. It was also the silence of uncertainty — because at the time, we were all moving forward blindly. AIDS was being researched slowly, with more fear than answers.